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Vocals · rap · trap · drill

Vocal plug-ins.
Clean, close, upfront.

A rap or trap vocal has to be clear on every word and sit in front of the beat. A few plug-in types get you there, each with its own job.

What a vocal plug-in does

Pitch correction (often just called autotune) pulls the voice to the notes of the key. A de-esser tames harsh S sounds. A compressor evens out the level so quiet words don't get lost. EQ and exciters clear mud and add air. On top of that come pitch and formant effects, reverb and delay.

How to use it

Trap vocals are usually hard-tuned and bright, with long reverb on a send and delay throws on line endings. Drill vocals are drier and more aggressive. In rap, intelligibility at 2–5 kHz matters most. An order that almost always works: tuning → EQ cuts → compression → de-esser → air → space on sends. Full walkthrough in the vocal chain guide.

Watch out for

Tune before compressing and always with the right key. Add air after the de-esser. When recording through plug-ins, use a small buffer (64–128 samples) and leave high-latency plug-ins for the mix.

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Questions

Which vocal plug-in should I start with?

If you buy one, get a vocal channel that combines EQ, compression and air (like VocalCrystal). Next comes pitch correction, then a de-esser if the vocal hisses after compression.

In what order should vocal plug-ins go?

Tuning, EQ cuts, compression, de-esser, saturation and air. Reverb and delay go on separate send tracks, not on the vocal itself.

Do DarkPlugins plug-ins work in FL Studio and Ableton?

Yes. They're VST3 (Windows and macOS) and AU (macOS) and run in FL Studio, Ableton Live, Logic Pro, Cubase, Studio One and Reaper.

Can I record with a vocal plug-in on the track?

Yes — set a small audio buffer (64–128 samples). Leave high-latency plug-ins, like linear-phase EQs, for the mixing stage.

Related guides

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